Advanced Typography: Final Compilation & Reflection

 Advanced Typography | Final Compilation & Reflection

- April 22, 2025

19/4/25 - 22/7/25 (Week 9 - Week 14) 

Hu Yao Ping| 0376768

Bachelor of Design (Honours) in Creative Media | Taylor's University

Advanced Typography

Task 4:Type Eportfolio  (30%)


[Table of Contents]

1. Lectures

2. Instructions

3.Task

Task 1

Task 2

Task 3

4. Feedback

5. Reflection


[Lectures]

Task 1 Lectures

Task 2 Lectures


[Instructions]


[Task]

Task Links:

21/4/25 - 28/5/25 (Week 1 - Week 3) 

Exercise 1—Typographic System




Fig 1.1 Axial System



Fig 1.2 Radial System


Fig 1.3 Dilatational System



Fig 1.4 Random System

Fig 1.5 Grid System

Fig 1.6 Modular System

Fig 1.7 Transitional System

Fig 1.8 Bilateral System


Final Result PDF:

                                                                                      Fig Typographic System Final 

Fig  Typographic System Final (Grid / Baseline)

Exercise 2 — Type & Play Part 1 / Finding Type

Fig 2.1 Font source




Fig 2.2 Type font



Fig 2.3 Font Process


Fig 2.4 Font Process

Fig 2.5 Font Process

Fig 2.6 Final Font


Fig 2.7 Process

Fig 2.8  Final poster


Final Result PDF:


FIG. pdf

Fig. pdf



TASK 2 / Key Artwork and Collateral
17/5/25 - 12/5/25 (Week 4 - Week 8)

2A—Key Artwork


Fig 3.1 Black worldmark on white background

Fig 3.2 White wordmark on black background

Fig 3.3 Colour palette

Fig 3.4 Wordmark in actual colours on the lightest shade of your colour palette

Fig 3.5 wordmark in the lightest shade of your colour palette on the darkest shade of colour palette


Fig 3.6 Animated





2B—Collateral

Fig 4.1 medal  (result)


Fig 4.2   Aromatherapy candles(result)

Fig 4.3  card (result)





Fig 4.4 Final Result


Fig 4.5 Social media posting


Final Result PDF:

Fig. pdf

Fig. pdf



TASK 3 / Type Expression and Application
13/6/25 - 27/7/25 (Week 9 - Week 13) 

 Final Outcome
Experimental typography:

Fig 5.1.1Geometric Collage Letters


Fig 5.2 Pipe-Cleaner Letters

Fig 5. Natural Material Letters with  border

Fig 6.3 Natural Material Letters without  border

Fig 5.4 Hanging Twig Letters


Fig 5.5 Foam Letterform Experimentation

Experimental presentation:

Fig 6.1 Hanging Twig Letters

Fig 6.2 Bird's Nest Entity

Fig 6.3 Final Rendering poster


Final result PDF version
Experimental typography:

Fig. pdf


Experimental presentation:

Fig. pdf


[Feedback]

Week 1 
General Feedback:
Mr. Vinod talked about the plan for this semester, the work arrangement and the details we need to pay attention to

Specific Feedback:
We learned about the specific tasks for this week and need to complete the design of eight drawings. In general, this semester will be a busy semester, but I believe I can learn a lot of useful knowledge

Week 2 
General Feedback:
This week, Mr. Vinod gave us feedback on Exercise 1 and gave us a detailed explanation. He hoped that we could modify our work according to the correct ideas.

Specific Feedback:
I need to finish my work as soon as possible and modify it as required, as well as update the blog and  feedback.

Week 3 
General Feedback:
This week we have completed the font design. We refer to the teacher's example and design fonts based on real objects. I use bamboo and bamboo leaves because I think the fonts made of bamboo are very distinctive and can be seen at a glance to represent bamboo with a sense of design.

Specific Feedback:
Mr. Vinod said, he is ok with consistency of the design, but need some adjustments and join my shapes together using path tool.


Week 4 
General Feedback:
This week we revised the font design from last week and completed the movie poster design according to the font style from last week. The poster size requirement is 1024px x 1024px (JPG 300 PPI)

Specific Feedback:
Mr. Vinod reviewed my work this week and his feedback was that he wanted me to change the font choice for the text so as not to distract from the main text and that he needed to add the movie logo on the poster.

week 5:
General Feedback:
This week our task is to make a mind map based on your name, and then design a meaningful name (4-5 words) based on it. This design made me re-understand myself and have a deeper understanding of font design.

Specific Feedback:
Mr. Vinod said I needed to give a better explanation to the font of my design, so I modified it and showed it to him again. Next, I need to modify my letters to make them look more integrated and coordinated.

Week6:
General Feedback:
This week we modified the font according to last week's feedback, and then edited the color card

Specific Feedback:
In our online class this week, Mr. Vinod gave us feedback that we need to make some adjustments to the letters so that they look uniform in size.

Week7:
General Feedback:
This week we basically completed Task 2 A & B, and presented them to the teacher in class and received feedback.

Specific Feedback:
I made a few more samples for display, and Vinod Mr. selected three of them and said I needed to adjust some details, but everything else was OK

Week8:
General Feedback:
Since this week is a learning week, our feedback this week is conducted online, and Mr. Vinod mentioned the deadline for Task 2.

Specific Feedback:
Because I had already shown my Nine Grid task to Mr. Vinod last week, I just took a quick look at it this week.

Week9:
General Feedback:
This week we finished task 2 and officially started task 3

Specific Feedback:
This week, Vinod explained to us what we need to do in Task 3

Week10:
General Feedback:
This week, we will complete a PPT to present our thoughts and ideas on Task 3

Specific Feedback:
I chose the third experiment mentioned in MIB, which is to make physical objects. I mentioned many materials in the PPT to complete this. Mr. Vinod said it was interesting, but he needed more ideas from me

Week 11:
General Feedback:
We need to complete all the presentations this week, and Vinod explained what needs to be done next.

Specific Feedback:
I finished one of the capital letter experiments and showed it to Mr. Vinod, but I didn’t think it was ideal, so I decided to redo it. Since this experiment was an open assignment, Mr. Vinod told me that I needed to think about the final submission myself. I think it’s very challenging. Although I don’t have to make a font system like others, I still have something I need to design. I’m still thinking about what to show next

Week 12:
General Feedback:
This week I completed a few letter designs for the material

Specific Feedback:
I didn't go to class this week due to illness, but Mr. Vinod had given me some advice before, so I further explored what I needed to show

Week 13:
General Feedback:
This week I completed all the processes and the end of task 3, but the blog is not finished yet. I am working on the blog post.

Specific Feedback:
Mr. Vinod said that we would be given 14 weeks to submit all the blog content. I also needed to shoot my work in natural light.


[Reflection]

Experience
Through Tasks 1 to 3, I had the opportunity to explore typography in a holistic way, from concept to physical form. Task 1 provided a strong foundation in understanding the nuances of letterforms, though I realized that more time spent on experimentation would have further expanded my creative scope. Task 2 was where I started integrating deeper symbolism into my design. The sun-inspired wordmark—featuring rotational elements—allowed me to experiment with how typography could reflect an abstract concept, like solar energy, in a visual language. This task also challenged me to adapt the design across different mediums such as packaging and badges, which required thoughtful attention to scale, material, and overall aesthetic. Task 3 was a shift toward physicality and interactivity. I used everyday materials, such as pipe cleaners and cardboard, to create 3D letterforms, experimenting with how type could exist outside of the digital realm. The flipping mechanism I incorporated into the design created a dynamic rhythm, inviting viewers to engage with the letters in an interactive way.

Observation
Throughout these tasks, I observed how the choice of material and medium significantly impacted the expression of typography. Task 1 helped me appreciate the basics of form, but Task 2 was where I began to see the potential of typography as a carrier of meaning and symbolism. I was particularly struck by the adaptability of my rotating logo, which conveyed a sense of vitality across various platforms. In Task 3, the use of physical materials like pipe cleaners and twigs added personality to the letterforms, making them feel more organic and expressive. I also noticed how interaction with these 3D forms created a narrative experience. Additionally, feedback from peers and instructors was instrumental in refining my designs, reminding me that good typography must not only be visually appealing but also functional and meaningful. The critiques helped me consider elements like legibility, scale, and context more thoroughly, which was invaluable as I worked to adapt my designs for different applications.

Findings
From these tasks, I learned the importance of balancing creativity with intentionality. In Task 2, I discovered that a single design element—such as the rotating motif—can carry through multiple applications while maintaining coherence, symbolizing unity and energy. It also made me realize that a well-thought-out concept is crucial for creating designs that resonate. In Task 3, I learned how typography can be more than just a tool for communication—it can become a medium for storytelling. The tactile nature of physical typography brought depth and authenticity to my work, encouraging me to think about typography in a more dimensional, interactive way. Above all, I now understand that design is a process of continuous refinement. Iteration is key to finding the right balance between aesthetics, function, and meaning. These tasks helped me move beyond surface-level design and pushed me to think about how typography can evoke emotion and connection.


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Thank You

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